Th06/Reimu's Scenario/en: Difference between revisions
No edit summary |
No edit summary |
||
(48 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
<languages /> | <languages /> | ||
{{Copy-paste text|lang=en|page=Embodiment of Scarlet Devil/Story/Reimu's Scenario|oldid= | {{Copy-paste text|lang=en|page=Embodiment of Scarlet Devil/Story/Reimu's Scenario|oldid=382047|t1=Rukaroa|t2=Mizutori|t3=Polaris|t4=Tosiaki|t5=Doncot|t6=Kiefmaster99|t7=Myrtle Pyonta}} | ||
==Stage 1== | ==Stage 1== | ||
{{thcrap Patch File|msg1.dat}} | {{thcrap Patch File|msg1.dat}} | ||
Line 17: | Line 17: | ||
{{dt/status_iw|status=story_char_enter|Rumia}} | {{dt/status_iw|status=story_char_enter|Rumia}} | ||
{{dt|side=1|char=Rumia|code=#0@124|tl=You said it! | {{dt|side=1|char=Rumia|code=#0@124|tl=You said it! | ||
Monsters come out too, so it's simply 'wonderful'.}} | Monsters come out too, so it's simply ''wonderful''.}} | ||
{{dt|side=0|char=Reimu|code=#0@135|tl=Um, | {{dt|side=0|char=Reimu|code=#0@135|tl=Um, | ||
who are you?}} | who are you?}} | ||
Line 92: | Line 92: | ||
I probably wouldn't be picky about where.}} | I probably wouldn't be picky about where.}} | ||
{{dt|side=0|char=Reimu|code=#0@66|tl=By the way, who are you?}} | {{dt|side=0|char=Reimu|code=#0@66|tl=By the way, who are you?}} | ||
{{dt|side=1|char=Meiling|code=#0@67|tl= | {{dt|side=1|char=Meiling|code=#0@67|tl=Er, just a normal person.}} | ||
{{dt|side=0|char=Reimu|code=#0@68|tl= | {{dt|side=0|char=Reimu|code=#0@68|tl=But didn't you attack me before?}} | ||
{{dt|side=1|char=Meiling|code=#0@69|tl=I attacked normally. | {{dt|side=1|char=Meiling|code=#0@69|tl=I attacked normally. | ||
But you attacked me first.}} | But you attacked me first.}} | ||
{{dt|side=1|char=Meiling|code=#0@70|tl=You're the abnormal.}} | {{dt|side=1|char=Meiling|code=#0@70|tl=You're the one who's abnormal.}} | ||
{{dt|side=0|char=Reimu|code=#0@71|tl=I'm a normal shrine maiden.}} | {{dt|side=0|char=Reimu|code=#0@71|tl=I'm not, | ||
I am just a completely normal shrine maiden.}} | |||
{{dt|side=1|char=Meiling|code=#0@72|tl=That's good to hear. | {{dt|side=1|char=Meiling|code=#0@72|tl=That's good to hear. | ||
If I remember correctly...}} | If I remember correctly...}} | ||
{{dt/bgm|th06_07}} | {{dt/bgm|th06_07}} | ||
{{dt|side=1|char=Meiling|code=#0@74|tl=...they say that shrine maidens | {{dt|side=1|char=Meiling|code=#0@74|tl=...they say that shrine maidens | ||
are the kind of human | are the kind of human it's okay to eat...}} | ||
{{dt|side=0|char=Reimu|code=#0@76|tl=Don't | {{dt|side=0|char=Reimu|code=#0@76|tl=Don't spread sayings like that!}} | ||
{{dt/status_iw|status=story_char_defeat|Hong Meiling}} | {{dt/status_iw|status=story_char_defeat|Hong Meiling}} | ||
{{dt|side=0|char=Reimu|code=#1@61|tl=Well then, I'll have you show me the way.}} | {{dt|side=0|char=Reimu|code=#1@61|tl=Well then, I'll have you show me the way.}} | ||
Line 111: | Line 112: | ||
{{dt|side=0|char=Reimu||code=#1@64|tl=Oh well, that's too bad.}} | {{dt|side=0|char=Reimu||code=#1@64|tl=Oh well, that's too bad.}} | ||
{{dt/status|status=story_version_full}} | {{dt/status|status=story_version_full}} | ||
{{dt|side=1|char=Meiling|code=#1@62|tl=I'm so sorry, mistress!|note=Mistress: the feminine form of "master", as well as the old-fashioned term for the "lady of the house". It is a crude translation of {{lang|ja|お嬢様}}(''ojou-sama''), which is a term of respect for a daughter of a high-class family.}} | {{dt|side=1|char=Meiling|code=#1@62|tl=I'm so sorry, mistress! | ||
|note=Mistress: the feminine form of "master", as well as the old-fashioned term for the "lady of the house". It is a crude translation of {{lang|ja|お嬢様}}(''ojou-sama''), which is a term of respect for a daughter of a high-class family.}} | |||
{{dt/Footer}} | {{dt/Footer}} | ||
Line 121: | Line 123: | ||
{{dt/status_iw|status=story_char_defeat|Koakuma}} | {{dt/status_iw|status=story_char_defeat|Koakuma}} | ||
{{dt|side=0|char=Reimu|code=#0@60|tl=Aren't there any windows in this house?}} | {{dt|side=0|char=Reimu|code=#0@60|tl=Aren't there any windows in this house?}} | ||
{{dt|side=0|char=Reimu|code=#0@61|tl=And did it | {{dt|side=0|char=Reimu|code=#0@61|tl=And did it even look this big | ||
this big from the outside?}} | from the outside?}} | ||
{{dt/status_iw|status=story_char_enter|Patchouli Knowledge}} | {{dt/status_iw|status=story_char_enter|Patchouli Knowledge}} | ||
{{dt/bgm|th06_09}} | {{dt/bgm|th06_09}} | ||
{{dt|side=1|char=???|code=#0@92|tl=You, red-white!}} | {{dt|side=1|char=???|code=#0@92|tl=You, the red-white one!}} | ||
{{dt|side=1|char=???|code=#0@93|tl=Don't run amuck in my study.}} | {{dt|side=1|char=???|code=#0@93|tl=Don't run amuck in my study.}} | ||
{{dt|side=0|char=Reimu|code=#0@94|tl=Study? (Red-white?)}} | {{dt|side=0|char=Reimu|code=#0@94|tl=Study? (Red-white?)}} | ||
Line 131: | Line 133: | ||
<c$Patchouli Knowledge$The Girl of Knowledge and Shade>}} | <c$Patchouli Knowledge$The Girl of Knowledge and Shade>}} | ||
{{dt|side=1|char=Patchouli|code=#0@95|tl=The books here are worth all the donations | {{dt|side=1|char=Patchouli|code=#0@95|tl=The books here are worth all the donations | ||
your shrine has received | your shrine has received in the past five years.}} | ||
{{dt|side=0|char=Reimu|code=#0@96|tl=My shrine rarely has any visitors during the year.}} | {{dt|side=0|char=Reimu|code=#0@96|tl=My shrine rarely has any visitors during the year.}} | ||
{{dt|side=1|char=Patchouli|code=#0@97|tl= | {{dt|side=1|char=Patchouli|code=#0@97|tl=Oh. Then I suppose they're not worth ''that'' much.}} | ||
{{dt|side=0|char=Reimu|code=#0@98|tl= | {{dt|side=0|char=Reimu|code=#0@98|tl=Anyway, can you actually read | ||
in such a dark | in such a dark room?}} | ||
{{dt|side=1|char=Patchouli|code=#0@100|tl=Unlike you, | {{dt|side=1|char=Patchouli|code=#0@100|tl=Unlike you, | ||
I'm not night-blind.}} | I'm not night-blind.}} | ||
{{dt|side=0|char=Reimu|code=#0@102|tl=I'm telling you, | {{dt|side=0|char=Reimu|code=#0@102|tl=I'm telling you, I'm not night-blind! | ||
I'm not night-blind!}} | ...er.}} | ||
{{dt|side=0|char=Reimu|code=#0@104|tl=... | {{dt|side=0|char=Reimu|code=#0@104|tl=...wait. Actually, what I wanted to ask was, | ||
are you the owner of this house?}} | are you the owner of this house?}} | ||
{{dt|side=1|char=Patchouli|code=#0@106|tl=What do you want with the mistress?}} | {{dt|side=1|char=Patchouli|code=#0@106|tl=What do you want with the mistress?}} | ||
{{dt|side=0|char=Reimu|code=#0@107|tl=There's too much mist | {{dt|side=0|char=Reimu|code=#0@107|tl=There's too much mist outside. It's a problem.}} | ||
{{dt|side=1|char=Patchouli|code=#0@108|tl=Then I absolutely cannot allow you to | {{dt|side=1|char=Patchouli|code=#0@108|tl=Then I absolutely cannot allow you to | ||
see the mistress.}} | see the mistress.}} | ||
{{dt|side=0|char=Reimu|code=#0@110|tl=I won't let you stop me.}} | {{dt|side=0|char=Reimu|code=#0@110|tl=I won't let you stop me.}} | ||
{{dt|side=1|char=Patchouli|code=#0@111|tl=...By the way, who are you?}} | {{dt|side=1|char=Patchouli|code=#0@111|tl=...By the way, just who are you?}} | ||
{{dt/status_iw|status=story_char_defeat|Patchouli Knowledge}} | {{dt/status_iw|status=story_char_defeat|Patchouli Knowledge}} | ||
{{dt|side=0|char=Reimu|code=#1@61|tl=But really, did the mansion look | {{dt|side=0|char=Reimu|code=#1@61|tl=But really, did the mansion look | ||
this big from the outside?}} | this big from the outside?}} | ||
{{dt|side=1|char=Patchouli|code=#1@62|tl= | {{dt|side=1|char=Patchouli|code=#1@62|tl=There is someone in the mansion who likes to mess | ||
who likes | with time and space.}} | ||
{{dt/Footer}} | {{dt/Footer}} | ||
Line 160: | Line 162: | ||
{{#lst:{{#titleparts:{{PAGENAME}}|1}}/Stage titles/{{pagelang}}|st05}} | {{#lst:{{#titleparts:{{PAGENAME}}|1}}/Stage titles/{{pagelang}}|st05}} | ||
{{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | ||
{{dt|side=1|char=???|code=#2@60|tl= | {{dt|side=1|char=???|code=#2@60|tl=Aaah, the cleaning isn't getting anywhere!}} | ||
{{dt|side=1|char=???|code=#2@150|tl=The mistress will be | {{dt|side=1|char=???|code=#2@150|tl=The mistress will be angry with me!!}} | ||
{{dt/status_iw|status=story_char_exit|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_exit|Sakuya Izayoi}} | ||
{{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | ||
{{dt|side=1|char=???|code=#0@60|tl=You're getting in the way of my cleaning again.}} | {{dt|side=1|char=???|code=#0@60|tl=You're getting in the way of my cleaning again...}} | ||
{{dt|side=0|char=Reimu|code=#0@61|tl= | {{dt|side=0|char=Reimu|code=#0@61|tl=You... | ||
don't seem to be the owner.}} | don't seem to be the owner.}} | ||
{{dt|h1|code=#0@64|tl=Maid of the Scarlet Devil Mansion | {{dt|h1|code=#0@64|tl=Maid of the Scarlet Devil Mansion | ||
Line 176: | Line 178: | ||
{{dt|side=1|char=Sakuya|code=#0@68|tl=The mistress rarely meets | {{dt|side=1|char=Sakuya|code=#0@68|tl=The mistress rarely meets | ||
with people.}} | with people.}} | ||
{{dt|side=0|char=Reimu|code=#0@70|tl=Is she | {{dt|side=0|char=Reimu|code=#0@70|tl=Is she under house arrest?}} | ||
{{dt|side=1|char=Sakuya|code=#0@71|tl= | {{dt|side=1|char=Sakuya|code=#0@71|tl=The mistress likes dark places.}} | ||
{{dt|side=0|char=Reimu|code=#0@72|tl=Then a not-so-dark person like you will do.}} | {{dt|side=0|char=Reimu|code=#0@72|tl=Then a not-so-dark person like you will do.}} | ||
{{dt|side=0|char=Reimu|code=#0@73|tl=You're the ones spreading this mist | {{dt|side=0|char=Reimu|code=#0@73|tl=You're the ones spreading this mist | ||
Line 183: | Line 185: | ||
{{dt|side=0|char=Reimu|code=#0@75|tl=It's a nuisance. | {{dt|side=0|char=Reimu|code=#0@75|tl=It's a nuisance. | ||
What are you trying to do?}} | What are you trying to do?}} | ||
{{dt|side=1|char=Sakuya|code=#0@77|tl=Daylight | {{dt|side=1|char=Sakuya|code=#0@77|tl=Daylight is bothersome. | ||
The mistress prefers the dark.}} | |||
{{dt|side=0|char=Reimu|code=#0@79|tl=But I don't. | {{dt|side=0|char=Reimu|code=#0@79|tl=But I don't. | ||
Would you stop it?}} | |||
{{dt|side=1|char=Sakuya|code=#0@81|tl= | {{dt|side=1|char=Sakuya|code=#0@81|tl=Ask the mistress yourself.}} | ||
{{dt|side=0|char=Reimu|code=#0@82|tl=Then call her here.}} | {{dt|side=0|char=Reimu|code=#0@82|tl=Then call her here.}} | ||
{{dt|side=1|char=Sakuya|code=#0@83|tl=...and why would I | {{dt|side=1|char=Sakuya|code=#0@83|tl=...and why would I place the mistress | ||
in danger?}} | |||
{{dt|side=0|char=Reimu|code=#0@85|tl= | {{dt|side=0|char=Reimu|code=#0@85|tl=Maybe she'll come out if I cause | ||
if I cause trouble here?}} | some trouble here?}} | ||
{{dt|side=1|char=Sakuya|code=#0@87|tl=You've already caused enough.}} | {{dt|side=1|char=Sakuya|code=#0@87|tl=You've already caused enough.}} | ||
{{dt/bgm|th06_11}} | {{dt/bgm|th06_11}} | ||
{{dt|side=1|char=Sakuya|code=#0@88|tl=Even so, you cannot meet with | {{dt|side=1|char=Sakuya|code=#0@88|tl=Even so, you cannot meet with | ||
my mistress.}} | my mistress.}} | ||
{{dt|side=1|char=Sakuya|code=#0@90|tl= | {{dt|side=1|char=Sakuya|code=#0@90|tl=I can stall you for as long as it takes | ||
I | by stopping time.}} | ||
{{dt/status_iw|status=story_char_defeat|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_defeat|Sakuya Izayoi}} | ||
{{dt/status|status=story_difficulty_easy}} | {{dt/status|status=story_difficulty_easy}} | ||
{{dt|side=0|char=Reimu|code=#3@61|tl=How's that?!}} | {{dt|side=0|char=Reimu|code=#3@61|tl=How's that?!}} | ||
{{dt|side=1|char=Sakuya|code=#3@62|tl=Why are you so full of yourself, | {{dt|side=1|char=Sakuya|code=#3@62|tl=Why are you so full of yourself, at this level? | ||
You have a long way to go.}} | You have a long way to go.}} | ||
{{dt|side=1|char=Sakuya|code=#3@64|tl=Come back two hours earlier.}} | {{dt|side=1|char=Sakuya|code=#3@64|tl=Come back two hours earlier.}} | ||
Line 218: | Line 220: | ||
{{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_enter|Sakuya Izayoi}} | ||
{{dt|side=1|char=Sakuya|code=#2@60|tl=I've got to at least make you waste a bomb | {{dt|side=1|char=Sakuya|code=#2@60|tl=I've got to at least make you waste a bomb | ||
before the mistress gets mad at me | before the mistress gets mad at me...}} | ||
{{dt|side=0|char=Reimu|code=#2@150|tl=Can't you be quiet and go run some errands?}} | {{dt|side=0|char=Reimu|code=#2@150|tl=Can't you be quiet and go run some errands?}} | ||
{{dt/status_iw|status=story_char_defeat|Sakuya Izayoi}} | {{dt/status_iw|status=story_char_defeat|Sakuya Izayoi}} | ||
Line 230: | Line 232: | ||
{{dt|side=0|char=Reimu|code=#0@243|tl=So that maid was a human.}} | {{dt|side=0|char=Reimu|code=#0@243|tl=So that maid was a human.}} | ||
{{dt|side=1|char=Remilia|code=#0@244|tl=You. You're a murderer.}} | {{dt|side=1|char=Remilia|code=#0@244|tl=You. You're a murderer.}} | ||
{{dt|side=0|char=Reimu|code=#0@245|tl=Don't worry, one | {{dt|side=0|char=Reimu|code=#0@245|tl=Don't worry, it was only one person, | ||
a | so it's not like I'm a serial killer.}} | ||
{{dt|side=1|char=Remilia|code=#0@247|tl=Well?}} | {{dt|side=1|char=Remilia|code=#0@247|tl=Well?}} | ||
{{dt|side=0|char=Reimu|code=#0@248|tl=Oh, | {{dt|side=0|char=Reimu|code=#0@248|tl=Oh right, you're being a huge | ||
nuisance.}} | |||
{{dt|side=1|char=Remilia|code=#0@250|tl=How | {{dt|side=1|char=Remilia|code=#0@250|tl=How quick you are to accuse. | ||
{{dt|side=0|char=Reimu|code=#0@251|tl= | And I don't even know why.}} | ||
leave?}} | {{dt|side=0|char=Reimu|code=#0@251|tl=Whatever, could you | ||
{{dt|side=1|char=Remilia|code=#0@253|tl= | just leave?}} | ||
{{dt|side=1|char=Remilia|code=#0@254|tl=You' | {{dt|side=1|char=Remilia|code=#0@253|tl=This is my castle, is it not?}} | ||
{{dt|side=1|char=Remilia|code=#0@254|tl=''You'' are the one who will leave.}} | |||
{{dt|side=0|char=Reimu|code=#0@255|tl=I want you to leave this world.}} | {{dt|side=0|char=Reimu|code=#0@255|tl=I want you to leave this world.}} | ||
{{dt|side=1|char=Remilia|code=#0@256|tl= | {{dt|side=1|char=Remilia|code=#0@256|tl=So that's how it's going to be.}} | ||
{{dt|side=1|char=Remilia|code=#0@257|tl= | {{dt|side=1|char=Remilia|code=#0@257|tl=I am already full, but...}} | ||
{{dt|side=0|char=Reimu|code=#0@258|tl=Didn't you hire that maid | {{dt|side=0|char=Reimu|code=#0@258|tl=Didn't you hire that maid | ||
to protect you?}} | to protect you?}} | ||
{{dt|side=0|char=Reimu|code=#0@260|tl=I can take a sheltered girl like you | {{dt|side=0|char=Reimu|code=#0@260|tl=I can take a sheltered girl like you | ||
down in one | down in one blow!}} | ||
{{dt|side=1|char=Remilia|code=#0@262|tl=Sakuya is an excellent cleaner.}} | {{dt|side=1|char=Remilia|code=#0@262|tl=Sakuya is an excellent cleaner.}} | ||
{{dt|side=1|char=Remilia|code=#0@263|tl= | {{dt|side=1|char=Remilia|code=#0@263|tl=Not a single head is on the floor, thanks to her.}} | ||
{{dt|side=0|char=Reimu|code=#0@264|tl=Are you strong?}} | {{dt|side=0|char=Reimu|code=#0@264|tl=Are ''you'' strong?}} | ||
{{dt/bgm|th06_13}} | {{dt/bgm|th06_13}} | ||
{{dt|side=1|char=Remilia|code=#0@265|tl= | {{dt|side=1|char=Remilia|code=#0@265|tl=Who knows. | ||
I' | I don't get to go outside often.}} | ||
{{dt|side=1|char=Remilia|code=#0@267|tl= | {{dt|side=1|char=Remilia|code=#0@267|tl=Since I'm weak to sunlight.}} | ||
{{dt|side=0|char=Reimu|code=#0@268|tl=... | {{dt|side=0|char=Reimu|code=#0@268|tl=... | ||
So you ''are'' strong, then.}} | |||
{{dt|side=1|char=Remilia|code=#0@270|tl=As the Moon is so scarlet, | {{dt|side=1|char=Remilia|code=#0@270|tl=As the Moon is so scarlet, | ||
I shall thus kill you for good.}} | I shall thus kill you for good.}} |
Revision as of 22:28, 25 August 2018
Based on the translation from https://en.touhouwiki.net/wiki/Embodiment_of_Scarlet_Devil/Story/Reimu%27s_Scenario?oldid=382047, originally translated by Rukaroa, Mizutori, Polaris, Tosiaki, Doncot, Kiefmaster99 and Myrtle Pyonta and licensed under CC-BY-SA 3.0.
Stage 1
msg1.dat.jdiff
|
Reimu |
|
---|---|
Reimu |
|
Reimu |
|
Reimu |
|
Reimu |
|
Reimu |
|
Rumia enters | |
Rumia |
|
Reimu |
|
| |
Rumia |
|
Reimu |
|
Rumia |
|
Reimu |
|
Rumia |
|
Reimu |
|
♪ Apparitions Stalk the Night | |
Rumia |
|
Reimu |
|
Rumia defeated | |
Reimu |
|
Reimu |
|
Stage 2
msg2.dat.jdiff
|
Daiyousei enters | |
---|---|
Daiyousei defeated | |
Reimu |
|
Reimu |
|
Reimu |
|
Cirno enters | |
♪ Tomboyish Girl in Love | |
| |
Cirno |
|
Reimu |
|
Cirno |
|
Reimu |
|
Cirno |
|
Cirno |
|
Cirno defeated | |
Reimu |
|
Reimu |
|
Stage 3
msg3.dat.jdiff
|
Hong Meiling enters | |
---|---|
??? |
|
Reimu |
|
Hong Meiling exits | |
Hong Meiling enters | |
??? |
|
Reimu |
|
| |
Meiling |
|
Reimu |
|
Meiling |
|
Reimu |
|
Meiling |
|
Reimu |
|
Meiling |
|
Meiling |
|
Reimu |
|
Meiling |
|
♪ Shanghai Alice of Meiji 17 | |
Meiling |
|
Reimu |
|
Hong Meiling defeated | |
Reimu |
|
If playing the demo | |
Meiling |
|
Reimu |
|
If playing the full version | |
Meiling |
|
Stage 4
msg4.dat.jdiff
|
Koakuma enters | |
---|---|
Koakuma defeated | |
Reimu |
|
Reimu |
|
Patchouli Knowledge enters | |
♪ Locked Girl ~ The Girl's Sealed Room | |
??? |
|
??? |
|
Reimu |
|
| |
Patchouli |
|
Reimu |
|
Patchouli |
|
Reimu |
|
Patchouli |
|
Reimu |
|
Reimu |
|
Patchouli |
|
Reimu |
|
Patchouli |
|
Reimu |
|
Patchouli |
|
Patchouli Knowledge defeated | |
Reimu |
|
Patchouli |
|
Stage 5
msg5.dat.jdiff
|
Sakuya Izayoi enters | |
---|---|
??? |
|
??? |
|
Sakuya Izayoi exits | |
Sakuya Izayoi enters | |
??? |
|
Reimu |
|
| |
Sakuya |
|
Reimu |
|
Sakuya |
|
Sakuya |
|
Reimu |
|
Sakuya |
|
Reimu |
|
Reimu |
|
Reimu |
|
Sakuya |
|
Reimu |
|
Sakuya |
|
Reimu |
|
Sakuya |
|
Reimu |
|
Sakuya |
|
♪ Lunar Clock ~ Luna Dial | |
Sakuya |
|
Sakuya |
|
Sakuya Izayoi defeated | |
| |
Reimu |
|
Sakuya |
|
Sakuya |
|
Bad Ending #1 | |
| |
Reimu |
|
Sakuya |
|
Stage 6
msg6.dat.jdiff
|
Sakuya Izayoi enters | |
---|---|
Sakuya |
|
Reimu |
|
Sakuya Izayoi defeated | |
Reimu |
|
Reimu |
|
Remilia Scarlet enters | |
| |
Remilia |
|
Reimu |
|
Remilia |
|
Reimu |
|
Remilia |
|
Reimu |
|
Remilia |
|
Reimu |
|
Remilia |
|
Remilia |
|
Reimu |
|
Remilia |
|
Remilia |
|
Reimu |
|
Reimu |
|
Remilia |
|
Remilia |
|
Reimu |
|
♪ Septette for a Dead Princess | |
Remilia |
|
Remilia |
|
Reimu |
|
Remilia |
|
Reimu |
|
Remilia Reimu |
|
Remilia Scarlet defeated | |
| |
Bad Ending #1 | |
| |
Reimu-A ➜ Ending #3 | |
Reimu-B ➜ Ending #4 |