Th09/Music in UK English

In order to keep duplication of content to a minimum, pages related to British English will only contain the differences between the British English translation and the American English translation; hence why BrE may not be 100% completed. Please try and keep translations synchronised if a dialogue box on the English side has a new translation, with exceptions of AmE & BrE differences. If a translation has been changed on the English side that no longer holds that variant from BrE (e.g. ‘center’/‘centre’, but the English side now uses the word ‘central’), please clear that BrE translation box for the time being and let TonyUK know.

Music titles translation

No. 1 #REDIRECT [[tdb:th09_01/en]]	Arrangement of #REDIRECT [[tdb:th_main/en]]

No. 2 Spring Lane ~ Colourful Path
Reimu Hakurei's theme. I tried to write this one so you'd feel spring itself through the piece. Not purely Japanese, but more like Touhou style. I thought it'd be good to not have it wear down on people during long battles, so I've controlled its intensity, but compared to other, more intense pieces, it seems pretty sedate. Like Reimu?

No. 3 #REDIRECT [[tdb:th09_03/en]]

No. 4 #REDIRECT [[tdb:th09_04/en]]

No. 5 #REDIRECT [[tdb:th07_10/en]]	Duplicate of the same theme from Ghostly Field Club

No. 6 #REDIRECT [[tdb:th08_12/en]]

Duplicate of the same theme from Imperishable Night

Reisen Udongein Inaba's theme. I've made a few tweaks to the original to make it a little more nostalgic. I've had my reasons for the original, but for this game, it may've been a little too much. Almost like ‘why's it so serious?’ Well, Imperishable Night's pieces were all just a little too much. Because it was about night and time... Well, maybe that doesn't make any sense. Could you say this one's about flowers and idiots... (oops)

No. 7 #REDIRECT [[tdb:th09_07/en]]	Arrangement of #REDIRECT [[tdb:th06_05/en]] from Embodiment of Scarlet Devil
Cirno's theme. The old stupid ^H^H cute song has become cool. It's weird how that worked, and it makes you wonder. Still, the melody itself seems pretty dumb. I wrote this in an Asian style – light and intense – not worrying about whether it fits the image of a little girl. Instead of Asian, it feels more Touhou, and I seem to have developed a speciality pattern without realising it.

No. 8 #REDIRECT [[tdb:th07_09/en]]	Duplicate of the same theme from Perfect Cherry Blossom
The three Prismriver Sisters' theme. I've rearranged this piece to exude a lighter atmosphere than the original. Some time later, I want to make a piece that showcases the sisters performing solo. Lunasa's on violin, Merlin's on trumpet and Lyrica's on piano & accordion, which makes sense in this piece, but if you think about it, who's playing the drums and keeping beat?

No. 9 #REDIRECT [[tdb:th09_09/en]]	Duplicate of #REDIRECT [[tdb:th08_05/en]] from Imperishable Night
Bird, basis, Mystia Lorelei's theme. It's now three strong 30 per cent increase. It sounds up-tempo enough to drive someone mad, but that's its purpose. Mystia is enjoying the flowers herself. Mystia's song is said to bewilder people, but if you listen to this, it sounds like a pretty harsh song. Of course it'll drive people nuts. A punk youkai.

No. 10 #REDIRECT [[tdb:th09_10/en]]
Tewi Inaba's theme. I've designed this to be a little playful, sentimental and Japanese. How is it? It came out fairly easygoing and cute, and I think it fits this Phantasmagoria of Flower View to a T. Actually, the notes and scales used aren't Japanese. If you were to ask me ‘where's the Japan in it?’ I really couldn't tell you. But doesn't it seem Japanese?

No. 11 #REDIRECT [[tdb:th09_11/en]]

No. 12 #REDIRECT [[tdb:th09_12/en]]

No. 13 #REDIRECT [[tdb:th09_13/en]]

No. 14 #REDIRECT [[tdb:th09_14/en]]

No. 15 Eastern Judgement in the Sixtieth Year ~ Fate of Sixty Years

No. 16 #REDIRECT [[tdb:th09_16/en]]	Arrangement of #REDIRECT [[tdb:th09_01/en]] from Phantasmagoria of Flower View

No. 17 #REDIRECT [[tdb:th09_17/en]]

No. 18 #REDIRECT [[tdb:th09_18/en]]

No. 19 #REDIRECT [[tdb:th09_19/en]]